For Your Consideration (Reprisal) cover art

Kernel Panic

For Your Consideration (Reprisal)

A bluegrass-metal reply to a hiring brief turns outsourced experience into a deadpan application, with a control-room breakdown and a politely pointed final chorus.

Track player

Play this track

This recording is served from the BridgeIncluded archive. View Suno source ↗

Words & signal

Lyrics

[Intro]
[Spoken]
Dear Hiring Committee:
Your outsourcing experience requirement
Is an interesting place to start.
I’ve experienced it extensively.
Mostly from the other end of the chart.

[Verse 1]
You need someone to grow accounts,
Get close and read the room,
Hear a little business pain
And find another room.
Well, I know the client’s systems,
And I know where budgets bend.
My career became an opening—
Just not on my end.

[Pre-Chorus]
You want someone who knows the gap
Between the pitch and what gets built.
I brought a résumé and banjo.
You can choose which one to shortlist.

[Chorus]
For your consideration,
I need a job since you took mine.
My former firm sent work your way;
I thought I’d follow up in kind.
You want a warm introduction?
We’re acquainted by design.
For your consideration,
I need a job since you took mine.

[Verse 2]
You want a deeper partnership,
A foothold that will last.
I helped build the thing you’re growing;
That experience should last.
You need somebody close enough
To know what’s underneath.
Well, your opportunity pipeline
Ran directly through my seat.

[Spoken]
Do I have experience in outsourcing?
Yes.
Would you like the vendor perspective,
Or shall I describe the packaging?

[Verse 3]
I can talk to an executive,
Then tell the builders what it meant.
I can spot the missing zero
In a promise someone sent.
I’ve never held a sales quota;
I won’t dress that up for you.
But I know when “just one feature”
Means the quarter’s overdue.

[Pre-Chorus]
You need someone to find the pain
And bring it to your door.
Good news: it filled your application.
Would you like to hear some more?

[Chorus]
For your consideration,
I need a job since you took mine.
I’m sufficiently acquainted
With the work behind the line.
You could pay for fresh discovery,
Or we could save a little time.
For your consideration,
I need a job since you took mine.

[Account Review]
CLIENT — FAMILIAR
SYSTEM — FAMILIAR
HANDOFF — PERSONAL
SALES QUOTA — NONE
TRANSFERABLE SKILLS — STILL ATTACHED
CANDIDATE — PLEASE FIND ENCLOSED

[Bridge]
Can I tell you “no” on Monday
And remain employed on Tuesday?
Can I flag a leaking promise
Before someone calls it runway?
If I tell you we’re at capacity,
Will that sentence reach the plan?
Or will I get promoted
To the reason that it can’t?

[Spoken]
You asked for executive presence.
I’m present.
This appears to be uncomfortable.

[Final Chorus]
For your consideration,
I need a job since you took mine.
Put a human in the margin;
See what happens to the line.
If you want someone who knows the work
And won’t pretend it’s fine,
For your consideration,
I need a job since you took mine.

[Outro]
[Spoken]
Salary expectations?
Enough to participate in the economy.

Availability?
An unexpected strength.

Thank you for considering my application.
I understand my work
Has already passed your screening.

Production notes
Direction
Bluegrass metal with driving stomp, sharp stop-start turns, and precise blast-beat and hardcore half-time contrasts.
Palette
Banjo over fiddle, mandolin, acoustic guitar, and upright bass; restrained Telecaster and drums arrive as pressure rises.
Voices
Dry male lead with procedural sincerity, female responses, and rough crew shouts.
Shape
Moves between dry acoustic passages and heavy breakdowns, returning directly to the stomp.